Cave XX. may have been a small vihara or dharmasala, or perhaps the vestry hall or chapter house of the group. It has two pillars and two pilasters in front of its verandah; and a pretty bracket statuette of a female under a canopy of foliage is on either side of the capitals. The roof of the verandah is hewn in imitation of beams and rafters; and a cell is at each end of the verandah. The hall is 28 feet 2 inches by 25 feet 4 inches by 12 feet 6 inches, and has two cells on either side. The roof is supported by the walls and a portion of the antechamber which advances 7 feet into the cave. The front of the antechamber has two columns in antis, surmounted by a carved entablature, filled with seven figures of Buddha and attendants. On the sides below are a Naga porter, a man and wife with a chauri-bearer and attendant, and a tall woman standing on a crocodile under foliage, with another attendant. The attendant on the right side is a male standing on a tortoise. The statue in the shrine was known to the Bhils as Matsyendranath. It has probably been painted red; and is accompanied by two large Indras wearing great tiaras, and bearing chauris and some round object in the left hand. Two deer are carved on the front of the seat, with a wheel between them. The ornaments over the cell-doors are like those at Ghatotkach. Two of the cells are unfinished. The doorway of the hall consists of only two fascias, but the foliage carved upon these is very elegant. The two makaras which usually support the river goddesses, are here spouting forth two forms which nearly meet in the centre, forming a very elegant cusped arch; and between them is a small winged figure. A little painting remains, and the general pattern of the roof decoration can be made out.

The third group of twelve caves consists of the first five from the western end, and the last seven at the other extremity. They form the latest group, and are magnificent works; but do not show the same beauty of design and detail as the central group, and indicate evident symptoms of decay. It may be gathered from the architectural details and other indications, that some of them were commenced in the 6th, but none of them were finished before the following century.